Sampler and analog-style Drum Modules) and FX (Delays, Equalizers, Compressors), as well as Container devices (to build parallel instrument or effect chains), Note FX, and Modulator devices (additional controllers like LFOs and step sequencers for modulating any other device). Over 50 included devices, including conventional Instruments (Polysynth, FM-4, Organ, Tabbed document interface for multiple projects open at once with drag-and-drop between them Multi-display support for up to 3 displays VST 2.4 support with built-in 32/64-bit bridging and plug-in crash protection Intuitive non-linear sequencing for the studio and beyondįull multi-core and multi-processor support Here’s Bitwig’s full feature list, which shows you what has made the cut for 1.0, what hasn’t, and why earlier betas weren’t released to public consumption:Ĭross-platform DAW (Windows, Mac OS X, Linux) Nektar (makers of some lovely controller keyboards), Livid Instruments, and Novation are all joining Bitwig at the NAMM trade show this week to show integrated controller mappings. I look forward to testing it.Īnd there are some other backers here, too. But if you wanted this editing workflow and control, it might be a contender. The features in the release, even absent more powerful modular reprogrammability Bitwig has promised further in the future, would seem to cater to a heavily niche market. But it’s no longer a clone – it’s more a sense that it’s a rival in a market in which Live looks like what it means to be a modern DAW. Let’s put it more simply: Bitwig Studio promises to bring broad micro-editing and flexible modulation and controller mappings to an advanced audience that cares about these things.ĭoes it look like Ableton Live? Absolutely. Okay, even that doesn’t really explain it.
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